Quake From Memory is a project started late last year (December 2024) and helmed by the user iLike80sRock, where the idea was to recreate all of Quake’s original maps from memory. Referencing the original maps or their sources wasn’t allowed. There was a “Shareware” version released in February, when all of the episode one maps were completed, while work on the rest of the maps was still on-going.

I took part in the project, building three maps and collaborating on a fourth. The full version released in August 2025, after 8 months of work from the mapping community.

Smoke and steam. Crates and warehouses. Machines whirring. Fans spinning.

Recently, I chose to host my first mapping jam for Quake on Slipseer & the Quake Mapping Discord. The direction was to build a map in the style of a factory using the Alkaline toolset. There were no restrictions on theme or texture set; however, every map was required to include at least one instance of Floyd.

Floyd is a cylindrical robot that walks around on 2 legs (and fires a volley of lasers, but don’t worry about that).

Re:Mobilize is a modification for Quake that adds in new features around advanced movement, such as a grapple hook, trampolines, and wire meshes. Version 1.2 was recently released, which includes some new tools, as well as a set of new maps. One of which is one I contributed, titled Reverse Polarity.

My aim with Reverse Polarity was to create something built more around exploration, similar to my Arcane Dimensions map, Grit Under the Eyelid. As a result, the layout is more vertically-oriented, with many layers on top of one another. I selected Rubicon 2 for the primary theme, choosing to also skin enemies accordingly. Re:Mobilize is built on top of Progs_Dump 3, which allows for more extensive monster customization, so I was able to apply models from the Rubicon 2 & Alkaline mods.

I have a new very small map that was made over the course of 2 days for the Vanilla speed mapping event, hosted by Zigi, titled Tangled Monopole. It contains simplified versions of a couple spots in the recent chapter of Center World.

Truth be told, this is actually a remake of a map that I made when I was first learning how to do anything for Quake. It’s been rebuilt from scratch, mostly to fit within the limitations of the event, and also to correct mistakes I made early on. I also compiled it without alpha keys on liquids, and with lower resolutions on light and shadow for an extra-chunky feel.

This has resulted in a lot of interesting maps, including one themed around Dune, complete with a view of the planet and a sandworm, lovingly rendered with Quake’s original texture set.

It is now available for download on Slipseer.

I have a new map out as part of Fairweather’s Remix Jam for Quake. The pack’s theme is to remix a multiplayer map from any game for Quake single player.

This was a weird one! I had several ideas for remixing a Counter-Strike map again (my first draft for the jam was a remake of de_prodigy), but then I had another idea: how about something from a game that isn’t even a first person shooter? What I ended up creating and taking inspiration from instead was a map from Rayman M/Arena, Zenith Harbour.

Ground Fault is a Quake map made in a timeframe of just under 48 hours, for SM227 – Thunderbolts and Lightning. It introduced a set of new power-ups: mini versions of the Quad Damage, Biosuit, and Pentagram, and was built around just one idea: the map needs to include a Thunderbolt (lightning gun).

I started by choosing the cr8 texture set for the map, since I felt it suited the Thunderbolt theme with its electric-themed switches and panels. It also features a lot of grimy metal, which I thought fit some ideas I had around gameplay with water, primarily coupling the lightning gun’s discharge with the mini-pentagram.

I also made some attempts to integrate a fair amount of verticality once more, with multiple walkways stacked on top of each other in the main hall. Overall, I think it came together nicely given the time involved. The only thing I wish I could have done more of was tighten up the combat, especially in the last room.

There are 9 maps in total in the pack, with my personal favorites being A Marshmallow Dream, The Lightning Lock, and Frankenstein or Supersham-bler.

More Sand Than Oil is my contribution to Quake Brutalist Jam 2.

Atmosphere and visuals were my focus for this one. I brought it to life with some custom rain sound effects, as well as blending sand with concrete brutalism. Of course, throwing in a few references to Front 242 didn’t hurt either.

I have to admit that playing the first Quake Brutalist Jam was one of the things that made me pursue Quake mapping. I’ve played mods for Quake for a very long time while lurking just outside of the community, but never thought that about making my own. Then, I was presented with a stunning collection of art pieces that people were bringing to life inside this old game.

I found and downloaded Trenchbroom, and I was hooked.

Some notes on inspiration and my process for this map follow below.